OTT & New Media Management

Chapter 11
Financial Planning and Performance Management

Bachelors Program in Mass Media Management
OTT & New Media Management   •   Bachelor

Financial Planning and Performance Management

Introduction

Financial planning is the disciplined process through which an OTT or new-media organisation translates its strategy into expected revenues, costs, cash requirements, risks, and performance targets. In streaming businesses, financial management is unusually demanding because revenues may be recurring but uncertain, content costs are often incurred before audience response is known, and platform economics involve both direct costs and complex indirect effects such as churn reduction, acquisition, engagement, and brand value.

A platform manager must therefore answer more than the question, “Will this programme make money?” The relevant questions include: Will it attract new subscribers? Will it reduce cancellations? Can it improve advertising inventory? Does it strengthen a strategic segment? How quickly will investment be recovered? What happens if viewership is lower than expected? How does the programme compare with alternative uses of capital?

This chapter develops an integrated approach to budgeting, forecasting, unit economics, content investment appraisal, break-even analysis, return on investment, scenario planning, sensitivity analysis, and portfolio management. The emphasis is managerial application: financial measures should improve decisions rather than merely describe past performance.

Learning Objectives

By the end of this chapter, students should be able to:

  1. Explain the financial characteristics of OTT and new-media businesses.
  2. Prepare operating budgets and revenue forecasts for subscription, advertising, and transaction models.
  3. Calculate and interpret unit-economic measures such as average revenue per user, contribution margin, customer acquisition cost, and lifetime value.
  4. Evaluate content investments using break-even, ROI, payback, and scenario analysis.
  5. Distinguish sensitivity analysis from scenario analysis and apply both appropriately.
  6. Construct a content portfolio using risk, audience, strategic, and financial criteria.
  7. Recognise the limitations, ethical issues, and governance requirements of platform performance measurement.

1. The Financial Logic of OTT Businesses

OTT businesses distribute audiovisual or other media content through internet-connected services rather than relying exclusively on traditional broadcast, cable, or physical distribution. Their financial models generally combine four elements:

  • Revenue model: subscription, advertising, pay-per-view, transactional purchase, licensing, commerce, or a combination.
  • Content investment: original production, acquisition, licensing, dubbing, subtitling, promotion, and rights management.
  • Technology and operating infrastructure: cloud delivery, encoding, storage, software development, payment systems, customer support, cybersecurity, and data systems.
  • Customer economics: acquisition, activation, engagement, retention, and monetisation.

The income statement perspective is important but incomplete. A platform may report accounting profit while consuming substantial cash because content payments precede revenue collection. Conversely, a platform may report an accounting loss while building a valuable subscriber base and long-term rights library. Managers must therefore distinguish profit, cash flow, and strategic asset creation.

1.1 Fixed, variable, and semi-variable costs

A fixed cost does not change directly with short-term subscriber volume. Examples include corporate salaries, platform development, annual technology contracts, and some office costs. A variable cost changes with usage or transactions, such as payment-processing fees, customer support contacts, bandwidth, and advertising delivery. A semi-variable cost contains both components; cloud infrastructure, for example, may include a contracted minimum plus usage-based charges.

Content costs require special treatment. A licence fee may be fixed for a defined rights period, but the cost per subscriber falls as the audience grows. Production costs are often committed before demand is observed. Marketing expenditure may be discretionary in principle but essential in practice if a release requires awareness-building.

1.2 Revenue models

A subscription video-on-demand service earns revenue from recurring access fees. An advertising-supported service earns from impressions, completed views, clicks, sponsorships, or a combination. A transactional service charges for individual rentals, purchases, or events. Hybrid services combine these approaches, for example offering a lower-priced advertising plan alongside a premium ad-free plan.

Forecasting must reflect the causal drivers of each model. Subscription revenue depends on paying users, price, discounts, and time. Advertising revenue depends on active users, available inventory, fill rate, viewability, and effective cost per thousand impressions. Transaction revenue depends on transaction volume and average price.

2. Budgeting for a New-Media Platform

A budget is a formal, time-bound plan of expected income, expenditure, investment, and cash movement. A useful OTT budget normally contains:

  1. Operating revenue budget
  2. Content and programming budget
  3. Marketing and customer-acquisition budget
  4. Technology and operations budget
  5. Capital expenditure budget
  6. Cash-flow budget
  7. Variance and performance-control schedule

Budgets should be prepared monthly or quarterly during periods of rapid growth. Annual budgets remain useful for strategic planning, but they should not become rigid promises when market conditions change.

2.1 Subscription revenue forecast

A simple subscription forecast is:

Subscription Revenue = Average Paying Subscribers × Average Monthly Price × Number of Months

The units must be consistent. If average subscribers are measured monthly and price is monthly, multiplying by the number of months produces currency for the forecast period. This formula assumes the average subscriber count already reflects additions, cancellations, pauses, discounts, and upgrades.

A more operational forecast uses opening subscribers, additions, and cancellations:

Ending Subscriberst = Beginning Subscriberst + Gross Addst − Churned Subscriberst

where t denotes the period. If churn is expressed as a proportion of beginning subscribers:

Churned Subscriberst = Beginning Subscriberst × Churn Ratet

This is a simplified model. In practice, churn may be calculated using average subscribers, cohort data, or survival analysis. Managers must state the convention used because different denominators produce different rates.

Worked example: subscription budget

A service begins a quarter with 100,000 subscribers. It expects 18,000 gross additions per month and a monthly churn rate of 4% applied to beginning-of-month subscribers. The monthly price is $8, and the service offers discounts that reduce realised price by 5%.

Month 1 churn is 100,000 × 0.04 = 4,000, so ending subscribers are 100,000 + 18,000 − 4,000 = 114,000.

Month 2 churn is 114,000 × 0.04 = 4,560, so ending subscribers are 114,000 + 18,000 − 4,560 = 127,440.

Month 3 churn is 127,440 × 0.04 = 5,097.6, so ending subscribers are 127,440 + 18,000 − 5,097.6 = 140,342.4.

Using average subscribers for each month:

  • Month 1 average = (100,000 + 114,000) ÷ 2 = 107,000.
  • Month 2 average = (114,000 + 127,440) ÷ 2 = 120,720.
  • Month 3 average = (127,440 + 140,342.4) ÷ 2 = 133,891.2.

Total subscriber-months are 361,611.2. The realised monthly price is $8 × (1 − 0.05) = $7.60. Forecast quarterly revenue is therefore approximately $2,748,245.

This estimate is useful for planning but not a guarantee. It assumes stable pricing, reliable acquisition, a constant churn rate, and no capacity or payment constraints.

2.2 Advertising revenue forecast

A basic advertising forecast is:

Advertising Revenue = Monetisable Impressions ÷ 1,000 × eCPM

Here, eCPM is effective revenue per thousand impressions. If a service has 12 million monetisable impressions and an eCPM of $18, revenue is 12,000,000 ÷ 1,000 × $18 = $216,000.

A driver-based model may be written as:

Monetisable Impressions = Active Users × Average Viewing Hours per User × Ad Opportunities per Hour × Fill Rate

This formula assumes that all variables refer to the same period and that ad opportunities are measured consistently. It does not automatically account for frequency caps, invalid traffic, viewability, make-goods, agency discounts, or revenue-sharing agreements. Those factors should be incorporated into the realised eCPM or modelled separately.

2.3 Budgeting content expenditure

A content budget should separate:

  • development and research;
  • production or acquisition fees;
  • talent and rights costs;
  • post-production and localisation;
  • delivery and technical preparation;
  • marketing and launch support;
  • residuals, royalties, and contingent payments; and
  • impairment or write-off risk.

A greenlight budget should include a contingency. If base production cost is $2 million and the approved contingency rate is 10%, the authorised budget is $2.2 million. Contingency is not free money; it is a controlled reserve released only under defined conditions.

3. Unit Economics and Performance Drivers

Unit economics examines the revenue and cost associated with one economically meaningful unit, such as a subscriber, viewing hour, transaction, advertiser campaign, or title. It prevents managers from hiding weak economics behind aggregate growth.

3.1 Average revenue per user

Average revenue per user is commonly calculated as:

ARPU = Revenue during Period ÷ Average Paying Users during Period

ARPU is meaningful only when the revenue definition and user denominator match. A monthly ARPU should use monthly revenue and an appropriate monthly average user base. It can be distorted by annual plans, free trials, taxes, bundles, and foreign-exchange movements.

3.2 Contribution margin

Contribution margin measures the amount remaining after revenue-related variable costs:

Contribution Margin = Revenue − Variable Costs

The contribution margin ratio is:

Contribution Margin Ratio = (Revenue − Variable Costs) ÷ Revenue

These measures are useful for short-term decisions and break-even analysis. They should not be confused with gross profit under a particular accounting standard, because the classification of content amortisation, technology, and support costs may differ.

3.3 Customer acquisition cost

A practical blended customer acquisition cost is:

CAC = Attributable Sales and Marketing Spend ÷ Number of New Paying Customers Acquired

The numerator should include only costs attributable to the acquisition period and customer group being analysed. If brand advertising benefits existing customers, assigning all expenditure to new subscribers will overstate CAC.

3.4 Customer lifetime value

A simplified contribution-based lifetime value model is:

LTV = (Average Monthly Revenue per Customer × Contribution Margin Ratio) ÷ Monthly Churn Rate

This is a steady-state approximation. It assumes constant revenue, margin, and churn; it ignores discounting, reactivation, price changes, upgrades, taxes, and finite customer life. If a monthly discount rate is material, a discounted cohort model is preferable.

For a subscription generating $8 monthly revenue, with a 60% contribution margin and 5% monthly churn, simplified LTV is $8 × 0.60 ÷ 0.05 = $96. If CAC is $48, the simplified LTV:CAC ratio is 2.0. This does not prove that the business is healthy: payback timing, cash constraints, cohort quality, and scale effects must also be considered.

3.5 Payback period

A simple payback period is:

Payback Period = CAC ÷ Monthly Contribution per Customer

With CAC of $48 and monthly contribution of $4.80, payback is 10 months. The measure assumes stable contribution and ignores the time value of money. A discounted payback period is more rigorous when cash flows extend over several years.

4. Break-Even and Content Investment Cases

Break-even analysis identifies the activity level at which contribution equals fixed costs. For a single product or service with constant unit price and variable cost:

Break-even Units = Fixed Costs ÷ (Unit Price − Unit Variable Cost)

The denominator is unit contribution. The formula assumes constant price, constant variable cost, one relevant product, and a linear relationship within the operating range.

Worked example: a commissioned series

A platform considers a series requiring $1.8 million in fixed investment, including production and launch marketing. It expects $6 of contribution per incremental annual subscriber attributable to the series. Break-even incremental subscribers are:

$1,800,000 ÷ $6 = 300,000 subscriber-years.

If the series is expected to generate 180,000 subscriber-years in the first year and 160,000 in the second, cumulative contribution is 340,000 × $6 = $2.04 million before corporate overhead and financing costs. The project passes a simple undiscounted break-even test, but management should still assess timing, attribution, risk, and opportunity cost.

For a platform with several products, the single-product formula may be misleading. A weighted-average contribution margin can be used only when the expected sales mix is reasonably stable. Otherwise, product-level or cohort-level modelling is preferable.

4.1 ROI and return measures

A basic return on investment is:

ROI = (Incremental Benefits − Incremental Investment) ÷ Incremental Investment

If a programme generates estimated incremental contribution of $3 million from a $2 million investment, ROI is ($3m − $2m) ÷ $2m = 50%.

ROI must specify the period, the cash or accounting basis, and whether benefits are incremental. Using total platform revenue rather than revenue attributable to the investment produces an inflated result. ROI also ignores the timing of cash flows; net present value is more appropriate for long-lived projects.

The net present value of a project is:

NPV = −I0 + ∑t=1T CFt ÷ (1 + r)t

where I0 is the initial investment, CFt is net cash flow in period t, r is the discount rate per period, and T is the number of periods. NPV assumes cash flows and the discount rate are defined on the same time basis. A positive NPV indicates that expected returns exceed the selected required return, subject to the quality of the assumptions.

For content, cash flows may include incremental subscriptions, reduced churn, advertising revenue, licensing income, and downstream rights value. Costs include production, marketing, localisation, platform delivery, talent participation, and any incremental support expenditure.

5. Scenario and Sensitivity Analysis

Forecasts are not predictions of certainty; they are conditional statements. Sensitivity analysis changes one input, or a small number of inputs, while holding other assumptions constant. It answers questions such as, “What happens to NPV if churn increases from 4% to 6%?”

Scenario analysis changes a coherent set of assumptions. A downside scenario may combine lower acquisition, higher churn, lower advertising rates, production delay, and exchange-rate pressure. A scenario is not simply a pessimistic number; it should represent a plausible operating environment.

A useful scenario table may include:

ScenarioSubscriber growthChurneCPMNPVManagement implication
DownsideLowHighLowNegativeDelay or renegotiate
BaseExpectedExpectedExpectedPositiveProceed with controls
UpsideHighLowHighStrongly positiveConsider scaling

Sensitivity analysis is especially valuable for identifying value drivers. If a small change in churn has a larger effect on NPV than a similar change in production cost, retention initiatives may deserve priority. However, one-way sensitivity analysis can underestimate interactions. For example, weaker content may simultaneously reduce acquisition, increase churn, and lower advertising engagement.

Probability-weighted expected value can be calculated when scenarios have credible probabilities:

Expected NPV = ∑i=1n Probabilityi × NPVi

The probabilities must sum to 1. Expected value does not eliminate risk; it summarises a distribution and should be accompanied by downside analysis.

6. Content Portfolio Management

A platform should not evaluate every title in isolation. Content investments form a portfolio with different risk, cost, audience reach, strategic value, and rights characteristics. Portfolio management reduces dependence on one uncertain release and aligns investment with the platform’s positioning.

A practical portfolio may include:

  • Tent-pole content: expensive, high-visibility projects designed to attract attention and subscribers.
  • Reliable franchises: established formats or intellectual property with relatively predictable demand.
  • Targeted content: lower-cost programming serving specific demographic, geographic, or language segments.
  • Experimental content: projects designed to test new formats, creators, or audience propositions.
  • Library and evergreen content: material that generates continuing engagement and supports retention.

A portfolio scorecard can combine financial and strategic criteria. For example, a title may be scored from 1 to 5 on expected contribution, strategic fit, audience reach, brand value, rights flexibility, execution risk, and data confidence. Scores should not replace financial analysis; they make non-financial considerations explicit.

Correlation matters. Ten programmes aimed at the same narrow audience may create greater portfolio risk than ten programmes serving different segments. Managers should consider release timing, genre diversity, geographic spread, production partners, and common dependencies such as a single star or technology vendor.

7. Performance Management Systems

Performance management links objectives, measures, accountability, review, and corrective action. A platform dashboard should contain both leading and lagging indicators.

DimensionIllustrative measures
GrowthGross adds, active users, conversion rate
RetentionChurn, renewal rate, cohort survival
MonetisationARPU, eCPM, transaction value, ad fill
EconomicsCAC, LTV, contribution margin, payback
ContentCompletion, qualified reach, incremental hours, title-level retention
OperationsUptime, playback failure, customer-support cost
Cash and investmentCash burn, committed content spend, forecast variance

A variance is the difference between actual and budgeted performance. A favourable revenue variance is not automatically good: it may result from discounting that harms long-term ARPU. Similarly, an unfavourable content-cost variance may reflect an investment that improves quality and retention.

Managers should investigate both price and volume effects. Revenue variance can be decomposed conceptually into changes in users, price, mix, and timing. Cost variance can arise from unit rates, activity levels, scope changes, foreign exchange, or inefficiency.

Governance requires clear definitions. “Active user” might mean one login, one stream, or a minimum amount of viewing in a period. If definitions change without disclosure, trend comparisons become unreliable. Dashboards should include data owners, refresh schedules, source systems, confidence levels, and explanations for exceptional movements.

8. Illustrative Case: StreamSphere’s Local Drama Investment

Background

StreamSphere is a fictional regional streaming platform with 420,000 paying subscribers. Its management is considering a 10-episode local-language drama. The project requires $2.4 million in production and launch expenditure. Management believes the series could attract new users, reduce churn among existing subscribers, and create advertising inventory.

Problem

The creative team forecasts strong cultural relevance, while finance is concerned that the investment will be difficult to recover if the series becomes popular only briefly. The board asks for a disciplined investment case rather than a simple audience forecast.

Analysis

The finance team models three scenarios over two years. Benefits include incremental contribution from new and retained subscribers, advertising contribution, and secondary licensing. Costs include production, launch marketing, localisation, and incremental delivery. The base case estimates total incremental contribution of $3.35 million against investment of $2.4 million, producing an undiscounted ROI of:

($3.35m − $2.4m) ÷ $2.4m = 39.6%.

The downside case estimates contribution of $1.85 million, giving an ROI of:

($1.85m − $2.4m) ÷ $2.4m = −22.9%.

The upside case estimates contribution of $4.8 million, giving an ROI of 100%.

The team then tests key assumptions. A two-percentage-point increase in monthly churn materially reduces retained-subscription contribution. A six-month delay reduces the value of the launch because the programme misses a high-demand holiday period. A co-production arrangement could reduce upfront cash investment but may limit exclusivity and future licensing rights.

Approach and solution

The board approves the project subject to five controls:

  1. A production budget cap with a separately governed contingency.
  2. A staged greenlight: development, pilot assessment, production, and final marketing release.
  3. A minimum audience and retention trigger after launch.
  4. A rights clause preserving options for international licensing and a second season.
  5. A post-launch review separating incremental impact from organic platform growth.

Marketing is released in stages rather than committed entirely before the first audience signals. The analytics team establishes a comparison group and tracks acquisition, churn, completion, repeat viewing, and incremental contribution by cohort.

Outcome

In this illustrative case, the drama achieves the base-case audience but produces a lower-than-expected completion rate. It attracts new subscribers effectively but has a weaker effect on long-term retention than anticipated. Management decides not to commission a second season immediately; instead, it explores a shorter sequel and additional content in the same language category at lower cost.

Learning points

The case demonstrates that a successful launch is not identical to a successful investment. Financial evaluation should distinguish reach from incremental value, short-term acquisition from retention, and accounting results from cash timing. Staged commitments, explicit assumptions, scenario analysis, and post-launch measurement improve decision quality.

9. Ethical, Regulatory, and Governance Considerations

Financial optimisation can create harmful incentives if managers pursue only clicks, watch time, or subscriber volume. A platform may promote sensational or misleading content because it appears to improve short-term engagement, even when it damages public trust. Performance systems should therefore include quality, safety, complaint rates, misinformation risks, accessibility, and compliance indicators where relevant.

Budgeting and forecasting also involve personal data. Subscriber-level models should follow applicable privacy and data-protection laws, use data minimisation, restrict access, and document legitimate purposes. Automated propensity models can disadvantage particular groups if training data reflect historical inequality. Managers should test for disparate outcomes and avoid using sensitive attributes irresponsibly.

Rights accounting and reporting must be transparent. Content costs, amortisation, impairment, and commitments should follow applicable accounting standards and organisational policy. Management dashboards should not selectively display favourable metrics while excluding cancellations, refunds, or deferred revenue. Forecast uncertainty should be communicated to boards, investors, creators, and internal decision-makers in proportion to the decision’s significance.

10. Technology, AI, and Contemporary Practice

Cloud accounting, automated dashboards, data warehouses, and machine-learning forecasting have made financial planning more continuous. AI tools can assist with demand estimation, audience segmentation, schedule optimisation, fraud detection, and scenario generation. However, predictive accuracy depends on data quality, stable relationships, and appropriate validation.

AI-generated forecasts should not be treated as objective facts. Models may reproduce historical commissioning bias, overvalue familiar genres, or fail when consumer behaviour changes. Good practice includes human review, documented assumptions, back-testing, confidence intervals where possible, model monitoring, and clear authority for overriding an automated recommendation.

Contemporary platforms increasingly use experimentation. Price tests, promotional tests, artwork tests, and recommendation experiments can estimate causal effects, but experiments require appropriate control groups, sufficient sample sizes, stable definitions, and attention to user welfare. A statistically detectable effect may still be commercially trivial, while a commercially important effect may be difficult to isolate in a rapidly changing market.

11. Best-Practice Checklist

A financially disciplined OTT manager should:

  • connect every major cost to a strategic or operational objective;
  • use driver-based forecasts rather than unsupported top-down targets;
  • distinguish bookings, revenue, profit, contribution, and cash flow;
  • define subscriber, churn, viewing, and attribution metrics precisely;
  • calculate unit economics by cohort and segment where possible;
  • include downside cases and identify the assumptions that matter most;
  • evaluate content as a portfolio rather than only as individual titles;
  • use staged investment gates for uncertain projects;
  • reconcile dashboards to accounting and operational systems;
  • document data sources, model assumptions, and forecast uncertainty;
  • protect customer privacy and test automated decisions for bias; and
  • conduct post-investment reviews so that forecasts improve over time.

Chapter Summary

Financial planning in OTT and new media converts strategy into measurable revenue, cost, cash, and investment expectations. Budgets should integrate subscribers, pricing, advertising inventory, content, marketing, technology, and cash timing. Unit economics provides a disciplined view of ARPU, contribution margin, CAC, LTV, and payback, while recognising that simplified formulas depend on stable assumptions.

Break-even analysis identifies the activity required to recover fixed investment. ROI communicates a basic return, but NPV is stronger when timing and required returns matter. Sensitivity analysis tests individual assumptions; scenario analysis tests coherent operating conditions. Portfolio analysis recognises that content investments differ in risk, strategic importance, audience, and rights value.

Effective performance management combines financial and non-financial indicators, clear metric definitions, variance investigation, and accountable review. Ethical governance is essential because financial decisions affect privacy, cultural representation, content quality, and public trust. AI and advanced analytics can improve forecasting, but they require validation, transparency, and human oversight.

Key Terms

ARPU: Average revenue generated per user during a specified period.

Break-even point: Activity level at which contribution equals fixed costs.

CAC: Customer acquisition cost; attributable acquisition expenditure divided by new paying customers.

Cash flow: Movement of cash into and out of an organisation.

Churn: Loss or cancellation of customers during a period.

Contribution margin: Revenue remaining after variable costs.

Content portfolio: Collection of programming investments managed together.

eCPM: Effective revenue earned per thousand advertising impressions.

Forecast: A reasoned estimate of future performance based on stated assumptions.

LTV: Customer lifetime value, usually the expected contribution from a customer over the relationship.

NPV: Net present value of future cash flows after discounting and subtracting initial investment.

Payback period: Time required for cumulative contribution or cash flow to recover an investment.

Scenario analysis: Evaluation of outcomes under internally consistent alternative assumptions.

Sensitivity analysis: Testing the effect of changing one or more individual assumptions.

Unit economics: Revenue and cost analysis for a defined economic unit.

Variance: Difference between actual and budgeted or forecast performance.

Working capital: Short-term resources and obligations supporting operations.

Yield or eCPM: Revenue efficiency achieved from available advertising inventory.

Review Questions

Short Answer Questions

  1. Why must an OTT manager distinguish profit from cash flow?
  2. Define ARPU and state one factor that can distort its interpretation.
  3. What is the difference between sensitivity analysis and scenario analysis?
  4. State two limitations of the simplified LTV formula.
  5. Why is content portfolio management preferable to evaluating every title in isolation?

Long Answer Questions

  1. Explain how a subscription OTT platform can prepare a driver-based revenue budget.
  2. Discuss the uses and limitations of CAC, LTV, contribution margin, and payback period.
  3. Explain how break-even analysis and NPV can produce different investment conclusions.
  4. Describe a comprehensive performance-management dashboard for a hybrid subscription and advertising platform.
  5. Discuss the ethical and governance risks associated with AI-supported financial forecasting.

Analytical / Application Questions

  1. A platform has 250,000 paying users, monthly ARPU of $9, a contribution margin ratio of 55%, and monthly churn of 4%. Calculate simplified monthly contribution and LTV. State the assumptions behind the LTV estimate.
  2. A proposed programme costs $1.5 million and is expected to generate $2.1 million in incremental contribution over two years. Calculate undiscounted ROI and explain why management should still consider timing and risk.
  3. Design a three-scenario investment table for a local original series. Identify at least four assumptions that should change across downside, base, and upside cases, and explain which assumption you would test first through sensitivity analysis.

Multiple Choice Questions with Answers

Question 1

Which measure is calculated as revenue divided by average paying users for the same period?

A. CAC

B. ARPU

C. Churn rate

D. Payback period

Correct Answer: B. ARPU

Question 2

A project has fixed costs of $900,000 and unit contribution of $3. What is its break-even volume?

A. 300,000 units

B. 270,000 units

C. 900,000 units

D. 3,000,000 units

Correct Answer: A. 300,000 units

Question 3

Which technique changes one assumption while holding other assumptions constant?

A. Portfolio analysis

B. Scenario analysis

C. Sensitivity analysis

D. Variance accounting

Correct Answer: C. Sensitivity analysis

Question 4

A service earns $10 monthly revenue per customer and has a 50% contribution margin. If monthly churn is 5%, what is simplified LTV?

A. $50

B. $100

C. $200

D. $500

Correct Answer: B. $100

Question 5

Which item is most directly a variable cost for an OTT platform?

A. Annual board remuneration

B. A fixed office lease

C. Payment-processing fees per transaction

D. A multi-year content licence paid upfront

Correct Answer: C. Payment-processing fees per transaction

Question 6

What does a positive NPV generally indicate, assuming the estimates and discount rate are appropriate?

A. The project has no risk

B. Expected returns exceed the required return

C. The project will certainly make an accounting profit

D. Cash flows occur immediately

Correct Answer: B. Expected returns exceed the required return

Question 7

Why should content investments be managed as a portfolio?

A. To ensure every title has identical costs

B. To eliminate the need for forecasting

C. To balance different risks, audiences, and strategic roles

D. To measure only total viewing hours

Correct Answer: C. To balance different risks, audiences, and strategic roles

Question 8

A platform has $48 CAC and $4.80 monthly contribution per customer. What is the simple payback period?

A. 5 months

B. 8 months

C. 10 months

D. 12 months

Correct Answer: C. 10 months

Question 9

Which is an example of a leading indicator?

A. Last year’s audited profit

B. Historical impairment expense

C. Trial-to-paid conversion rate

D. Prior-period tax expense

Correct Answer: C. Trial-to-paid conversion rate

Question 10

Why must an AI-generated financial forecast receive human oversight?

A. AI models always produce random numbers

B. Forecasts can reflect biased data and fail when conditions change

C. Human oversight makes assumptions unnecessary

D. AI cannot process numerical information

Correct Answer: B. Forecasts can reflect biased data and fail when conditions change

OTT & New Media Management
Chapter 11 of 15